“If we could just talk,” Marilyn Monroe told Judy Garland, “I know you’d understand.” Inside the intense friendship between two Hollywood icons:
Garland continues:
“That beautiful girl was frightened of aloneness—the same thing I’d been been afraid of. Like me, she was just trying to do her job—garnish some delightful whipped cream onto some people’s lives, but Marilyn and I never got a chance to talk. I had to leave for England and I never saw that sweet, dear girl again. I wish I had been able to talk to her the night she died.”“She’d sit by the fire, not talking much, a quiet presence,” he recounts. “Marilyn was sweet and very unhappy.
日本 最新ニュース, 日本 見出し
Similar News:他のニュース ソースから収集した、これに似たニュース記事を読むこともできます。
It's best that Marilyn Monroe doesn't know what Andrew Dominik really thinks of herMarilyn Monroe likely wouldn't want to hear what 'Blonde' director Andrew Dominik thinks about her.
続きを読む »
Joyce Carol Oates weighs in on the brutality in Blonde adaptationJoyce Carol Oates thinks Marilyn Monroe's real life was even worse than what's depicted in Andrew Dominik's Blonde
続きを読む »
Dispatch From Venice: Andrew Dominik’s ‘Blonde’ Is a Biopic in Anarchy ModeThe new film, an artfully fictionalized account of the life of Marilyn Monroe, is like “The Tree of Life” in lipstick: glossy but also existential and ambitious.
続きを読む »
13 stars who’ve played Marilyn Monroe: From Mira Sorvino to Michelle WilliamsLong before Ana de Armas took on the role of the leading lady in “Blonde,” many others channeled the Hollywood icon on the big and small screens.
続きを読む »
Recreating Marilyn Monroe’s iconic outfits in ‘Blonde’Marilyn Monroe’s on-screen costumes are almost as iconic as her. Think of the hot pink strapless gown she wore to sing “Diamonds Are a Girl’s Best Friend.” Or the white halter cocktail dress that billowed up over a subway grate in “The Seven Year Itch.”
続きを読む »
Marilyn Monroe biopic 'Blonde' is a 166-minute death knell of dehumanizationBased on a novel by Joyce Carol Oates, director Andrew Dominik’s film for Netflix is a mostly fictionalized meditation on the idea of Monroe. 'It’s a horror movie about objectification, about your body no longer belonging to you,' says film critic Sean Burns.
続きを読む »