On the thrilling 'Surrender,' Maggie Rogers embraces her inner rock star
the then-NYU student to the Wu-Tang Clan in 2016, it’s that the singer-songwriter entered the pop zeitgeist too fully formed. Sure, songs from the Maryland-born artist’s anticipated debut LP, 2019’s, were deftly penned — a sharp cross-section of her folk and soul-heavy upbringing and later French club obsessions. But they also were rightlyfor being overproduced. As with so many buzzy debuts, a major label’s efforts to prove a young star’s maturity breeds contrivance.
Yet the more profound surrender here is to life’s avalanche — that crushing cascade of romance, fear, desire, anger, desperation and doom-scrolling. It all sparks a new restlessness in Rogers: Many of the album’s most affecting moments accompany her urgency to hit the road.
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