'Lodge 49’ is too good for this world. Which is exactly why AMC should keep it around

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'Lodge 49’ is too good for this world. Which is exactly why AMC should keep it around
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'Lodge 49,' AMC's beautiful, heartbreaking serial comedy, perfectly set up a third and final season. The network should let the creators bring it home.

this year, is a story of sisters and their father, the distraction of Andrew Scott’s Hot Priest notwithstanding. “Sex and the City” was “Little Women.” “Game of Thrones” — family. “NCIS” — family. Vampire slayer Buffy and her Scooby Gang, and all Scooby Gangs back to the original: You guessed it.Dud and Liz, protective of each other in sometimes critical ways, lose their father early in Season 1, and their mother long before our story begins, and that loss is not yet lived through.

“Lodge 49" is a show about goodness and pure intentions — Dud is a sort of Prince Myshkin, or Leslie Knope if you prefer — the exercise of which it does not treat with irony or cynicism. That doesn’t mean it’s not full of conflict. Characters go back and forth wondering who they are and what they’re meant to do and whether what they do means anything at all. Most are stuck in old ways, looking for a way forward. All are looking for a place to belong.

The show is invested in myths and legends. Whether the particular quest on which Dud & Co. embarked in the latest season — they’re in search of “lost scrolls” — is meaningful or meaningless, the point is that even a meaningless quest is meaningful, because it’s, you know, a quest. There are references to tilters-at-windmills Don Quixote and Sancho Panza — knights and squires! — including a rendition of “The Impossible Dream.

Businesses collapse; big deals evaporate. Lenore is involved in an Amway-like pyramid scheme in which bitcoin, imaginary money, plays a part. “Anything is possible” is a refrain of the second season, but not necessarily: The famous writer of thrillers who falls in with our heroes claims that whatever he writes he knows — that is, he assumes that if he can write it, he can also do it. This belief will prove disastrously, though not fatally, untrue.

The lodge is a refuge from all that, a place where small things become big. “Outside these walls, the world can be a cold, cold place,” Ernie says near the close of the second season, going on to echo something Dud says in the first: “But in here, when we’re all together, it’s different. It’s different in here.”, also a writer of short stories, is that it is not Los Angeles. “Lodge 49" pays tribute in a nonpatronizing way to all Southern California that isn’t Los Angeles.

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latimes /  🏆 11. in US

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