'There's a revolution happening right now.' A long conversation with Lin-Manuel Miranda on Hamilton in 2020, the Freestyle Love Supreme doc and what comes next for American theater
The idea had been to lock these recordings away in a vault and eventually find a way to let the public experience the rush of seeing the play during its first months at the Richard Rodgers Theatre. Enter Disney, who purchased the project in 2019; the company planned to give what was now nicknameda theatrical run some time in 2021.
Tommy and Declan really just sort of took the lead on things, and then Tommy and Jonah kept cutting and recutting for over a year. I saw a first cut in the winter of 2016, and then another cut of it in the winter of 2017. Because we had no timeline for when this would go out initially. Once we thought this would be a theatrical release, I think I saw one last cut at the beginning of this year. I mean, the play itself was set, but this was an evolving thing.
Have you been surprised by the reception? The adoration for the play has never gone away, but the rabid way the filmed version has been debated, and re-debated — it’s sparked this entirely different discussion over what you’re saying with it, and what the work means. Let’s talk about the Freestyle Love Supreme documentary — what’s it like looking back on those younger versions of you and Thomas and Christopher [Jackson]?
The dynamic between me and the world had changed! That’s the really wild thing. For me, being onstage with Freestyle Love Supreme is the only place I can go that’s feels pre-It’s the one place I can go where I can just go bullshit with my admittedly very talented friends []. There’s a certain irony in only feeling that safety when you’re going out on stage and risking totally falling on your face.
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