The fiery orange number has birthed its own style moniker: canastacore TheFrenchDispatch
Photo: Twentieth Century Fox Film Wes Anderson’s latest film The French Dispatch purports to be a fictionalized triptych of stories based on early New Yorker pieces, but really, it is about fashion. No, I am not referring to Owen Wilson’s tube socks, though those merit their own investigation. I am speaking of one outfit in this movie that has refused to dislodge itself from my brain.
There are caftans, and then there are caftans. The caftan, a shapeless but somehow unspeakably glamorous garment, has accrued a cultish following over the past decade, mainly from people like you and me who want to pour all our anxiety and ennui into a singularly unflattering vessel.
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