Rock ‘n’ roll bands, we’re told, are the closest and most combative of families. They come up in the world together, they eat and sleep and ride a tour bus together, they haunt the reco…
, the sometimes mobbed-up music industry threatened Cocker with bodily harm if he didn’t do that tour., the already fabled producer, songwriter, former member of the Wrecking Crew, and multi-genre recording artist. Russell called the top musicians in his Rolodex , and all of them came together. They rehearsed for less than a week and went on the road with Cocker, doing 48 shows in 52 nights.
Directed by Jesse Lauter, the film looks back at the Mads Dogs tour, utilizing a wealth of grainy split-screen footage from “Mad Dogs & Englishmen.” But the doc is also set in the here and now.
The whole Mad Dogs tour was big. It was like a commune, only one that traveled in a private jet and didn’t come with cloying utopian rhetoric. It was a floating bacchanal, like the Rolling Thunder Revue with less thunder and more roll. I realize that decades don’t always come in neat packages, but 1970 really was an eye between the storm of two eras.
In “Learning to Live Together,” the original “Mad Dogs” footage looks more amazing than ever. And the survivors of that tour who show up for the reunion concert are great company; anyone who thinks that aging rock boomers are simply cranks stuck in time should get a load of these folks.
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