Kristen Bell, Tom Riley & Michael Ealy on Why 'The Woman in the House Across the Street from the Girl in the Window' Is the Perfect Title

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Kristen Bell, Tom Riley & Michael Ealy on Why 'The Woman in the House Across the Street from the Girl in the Window' Is the Perfect Title
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We spoke w/ KristenBell MichaelEaly and thisisTomRiley about why 'The Woman in the House Across the Street from the Girl in the Window' has a perfect title.

From creators Rachel Ramras, Hugh Davidson, and Larry Dorf, the Netflix original series The Woman in the House Across the Street from the Girl in the Window takes on all aspects of a page-turning, edge-of-your-seat psychological thriller, down to the endless bottles of wine, always ill-timed rain, and unknown things that go bump in the attic.

Michael and Tom, how was it for you guys? When you explain this show to your friends and family, do you get the title right? BELL: I could never in my wildest dreams, and I spent a lot of years playing a detective on television, have guessed that this is how they would’ve ended it, but it feels perfect. I think the most shocking thing was how violent the ending is, from my perspective.RILEY: I love the ending. It feels perfect for what the show is while at the same time being completely unexpected. And like Kristen said, it’s incredibly violent and I was there for the violence.

I was so impressed with how this show takes on everything with these types of stories, from the wine to the rain to the attic and all of the misdirection, including adding in grief and a love story. Everything is in this, and somehow it manages to all work.

Michael, what was it like to explore this relationship, between Douglas and Anna? The relationship between your characters is serious, it’s dramatic, it’s sad. What was it like to really have all of that drama in the middle of all this craziness?

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