A strained and ponderous story with stratospheric delusions of grandeur.
To watch an M. Night Shyamalan movie today involves asking yourself the same question over and over again: Is this good — or is it garbage?
“Knock” is also obnoxiously pumped full of ripped-from-the-headlines issues — hate crimes against gay people, a fringe internet message board, a viral pandemic! — that are heavy-handed and ultimately have nothing to add except a few minutes. Shyamalan and screenwriters Steve Desmond and Michael Sherman do not capably use those lightning rods to create sustainable doubt about our final destination.
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