.KimletGordon's debut solo album, 'No Home Record,' is jagged, chaotic and mesmerizing in a way that pulls you inevitably into the thick of it, as if the songs were exerting their own inescapable gravity. Here's erdanton's take -
and one with Glitterbust, along with various EPs and singles scattered among them. Now, at the age of 66, Gordon steps out with, a ferocious solo debut. It’s jagged, chaotic and mesmerizing in a way that pulls you inevitably into the thick of it, as if the songs were exerting their own inescapable gravity.
Though Gordon delivers these nine songs with supreme, unruffled confidence, there’s an unsettledness to them that reflects the sense of impermanence she has felt since moving back to Los Angeles, that most transient of cities. On “Air BnB,” the feeling manifests in the lyrics of her sardonic ode to the gig economy.
There’s a form of abnegation happening on “Murdered Out,” which Gordon first released as a single in 2016. She noticed that the low-rider car-culture trend of matte-black paint jobs was becoming more widely fashionable. The embrace of light-absorbing finishes struck her as “the supreme inward look, a culture collapsing in on itself, the outsider as an unwilling participant as the ‘it’ look,” she explained.
Gordon tinkers throughout with rhythms, intoning short, incisive lyrical phrases over a hypnotic mechanical beat on “Cookie Butter,” and letting the electro-clash drums on “Sketch Artist” drop out here and there for free-form interludes. Toward the end of, she skips the beat altogether on “Earthquake,” singing in dusky tones over drifting guitars, crescendos of cymbal wash and some crumbly electronic noise in the background.
The title, “Get Yr Life Back,” implies a prescriptive suggestion, but Gordon could be describing herself, too. After the end of Sonic Youth—and her marriage—in 2011, she has spent the intervening years taking her own life back, and shaping it into something different than it was before.is the latest sign of how fully she has succeeded, which seems like the kind of thing that might get her mistaken for an icon.
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