'Killers of the Flower Moon' Review: Martin Scorsese's True-Crime Saga

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'Killers of the Flower Moon' Review: Martin Scorsese's True-Crime Saga
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Robert De Niro also stars in the adaptation of David Grann’s book about the Osage Murders, with a supporting cast that includes Jesse Plemons, John Lithgow and Brendan Fraser.

, a cynical lawman says, “You got a better chance of convicting a guy for kicking a dog than killing an Indian.” That matter-of-fact acknowledgment of cruel injustice doesn’t even begin to describe the cold calculation, the corruption and greed, the vile duplicity, manipulation and false piety that ripple through this shocking true-crime story like poison. Or like the oil that bubbles up from the ground and sets the insidious chain of homicides in motion.

That would be Bill “King” Hale, an affluent cattle rancher who presents himself as a righteous man and paternalistic friend to the community, giving Robert DeNiro one of the most monstrous roles of his career. And in Hale’s nephew and principal pawn, Ernest Burkhart,scores an equally choice role, a spineless man tormented by his part in the nefarious plot, who keeps leaning toward redemption only to fall prey again to his weakness, stupidity and the malevolent control of his uncle.

By the time Ernest arrives in Fairfax in the early ‘20s, the government has begun policing the flow of money by deeming some Osage “incompetent,” assigning them a white “guardian” with the authority to approve or deny spending. Hale points out the importance of channeling the estate of his nephew’s wife back to them. He explains that Lizzie is sickly and Mollie’s sister Anna , who has been sexually involved with Ernest’s reptilian brother Bryan , is a boozing good-time gal whose mouth and the pistol she packs in her purse inevitably will get her into trouble. That leaves only Mollie and another sister, Rita , standing between them and the family’s oil wealth.

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