Karl-Edmund Prier, Exploring and Preserving Regional Musical Treasures

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Karl-Edmund Prier, Exploring and Preserving Regional Musical Treasures
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  • 📰 hariankompas
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Karl-Edmund Prier has been very instrumental in exploring and preserving the richness of regional music in Indonesia.

Please note that this article was automatically translated using Microsoft Azure AI, Open AI, and Google Translation AI. We cannot ensure that the entire content is translated accurately. If you spot any errors or inconsistencies, contact us atThe following article was translated using both Microsoft Azure Open AI and Google Translation AI.

His curiosity grew even greater when he discovered gamelan supra, namely gamelan whose tone had been adapted to Western diatonic music by Pastor Van Deinse SJ from the Netherlands. This experience occurred in 1965, when he was transferred to Semarang. According to Van Deinse, gamelan must be"purified" from magical elements, including by equating the pitch of its notes with diatonic music. Prier wondered,"Is this the best way to inculturate gamelan?" .

The Vocalista Sonora choir led by Paul Widyawan has become a music laboratory for Prier and Paul Widyawan. Regional songs such as"Ondel-Ondel","Jangkrik Genggong","Bapak Pocung","Laruik Sanjo", and"Bengeung Jumpa" have become favorites among choir groups in Indonesia thanks to Prier and Paul's performances. Together with Vocalista Sonora, they have gone on five tours to Europe to showcase Indonesian regional music.

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hariankompas /  🏆 8. in İD

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