‘Jane Campion: The Cinema Woman’: Film Review | Cannes 2022

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‘Jane Campion: The Cinema Woman’: Film Review | Cannes 2022
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  • 📰 THR
  • ⏱ Reading Time:
  • 21 sec. here
  • 2 min. at publisher
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  • News: 12%
  • Publisher: 53%

Drawing upon interviews from throughout the filmmaker’s career, Julie Bertuccelli’s documentary explores the process and philosophy of the ‘Power of the Dog’ helmer.

Film Festival commissioned an omnibus film, inviting 36 filmmakers to contribute three-minute shorts to. She had the same distinction, as sole representative of her gender, in a ceremony that year feting the directors of past Palme d’Or winners.

In Julie Bertuccelli’s absorbing and insightful portrait, well-chosen clips of these gatherings of the greats pack a punch, capturing not just the rarefied air but the awkwardly glaring imbalance of it all. At a festival press conference, Campion is called upon to comment on the elephant in the room — no, not Roman Polanski, who’s seated just behind her — and she does so with incisiveness and passion.

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