Jack White, on playing Elvis Presley: 'I’ve never seen all the outtake scenes of other jokes and paths we went down, because it got weird'
“Staying in the danger zone is a lot more cathartic and a lot more inspiring than playing it safe.” Photo-Illustration: Vulture; Photo by Peter Pakvis/Redferns Did he see all of the blue hair?
Best song Oh my God. Oh, man. I can’t, I’m so sorry. I can’t answer that question. I think it’s too dangerous for me to answer that question. I’ll be held to that forever. People will ask me that for the rest of my life. I just don’t think of these songs in that way, you know? That’s almost like I’d have to be a different kind of person. I don’t even know if I would like somebody who can quickly answer that question. It’s a little bit too patting-on-the-back kind of a thing.
Lyrically, there’s a song I wrote called “Carolina Drama” that I’ve heard a lot of interesting versions about. The song is a story, and it doesn’t have full closure to the different aspects of it. People have different theories about who the characters are and what the ending means.
Staying in the danger zone is a lot more cathartic and a lot more inspiring than playing it safe. I mean, that album was a dangerous thing to do. It could have been a bad move, a bad left turn, or people’s interest in my creativity could’ve been lost. I was lucky that it actually worked and people accepted it.
Favorite album you produced for someone else Van Lear Rose for Loretta Lynn. For sure. It was such a beautiful moment. She was open-minded and hadn’t done a record of original songs in a long period of time. She invited me to her home and we looked through old notes and old songs she had written in old notebooks. I wish I could have run away with them. It was an amazing plethora of songs. The whole thing was just a dream. I couldn’t believe they were letting me do it.
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