In-Studio With Harry Styles’ Grammy-Nominated Immersive Audio Engineer, Greg Penny

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In-Studio With Harry Styles’ Grammy-Nominated Immersive Audio Engineer, Greg Penny
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  • 📰 Variety
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“I’ll drink Harry’s bath water — I love that guy,” says Harry Styles' immersive audio engineer Greg Penny

floats in Greg Penny’s studio, located in an industrial park in Ojai, California. In this 3,000-square-foot, high-ceilinged space that feels like a warehouse, a makeshift acoustically-treated room is created from compressed cotton panels made from shredded T-shirts. These panels hang from a truss that looks like it should be on a small festival stage.

“I’ll drink Harry’s bath water — I love that guy,” says Penny with enthusiasm. It took Penny two weeks to get through mixing “Fine Line” in 360 Reality Audio, which is quick for him, and he enjoyed every minute of it. “You get a sense of Harry popping out of the mix and talking right to you. I felt like I had this intimacy with him by being able to sit alone in this room and mix that out. I took some liberties, but I also tried to make it so it’s not going to jar you.

“These are the graphic representations of the placements of the objects in the music,” Penny explains. “The objects are more powerful than just tracks because they’re impregnated with metadata that tells them where to go. You have three-dimensional movement that you’ve programmed into the mix. I don’t overuse the movement ability, because I feel it takes you out of the moment.

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