This year’s festival had its ups and downs, but flashes of brilliance broke through the disappointments. Our critic forecasts the winners, and suggests a few more for categories that don’t (yet) exist
has finished in a mercurial mood: a feeling that the middling quality of the competition list has been redeemed in the final few days by a fiercely welcomed late burst of excellence. There was respect for Ukrainian director Sergei Loznitsa for his documentaryand for Mariupol 2, by the late Mantas Kvedaravičius, the film-maker killed by Russian forces while filming this moment-by-moment study of life in the besieged city.
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