The visualeffects studio behind some of SpiderManNoWayHome's memorable moments explains how VFX made the film's sinister team-up happen.
Marvel’s friendly, neighborhood webslinger returned to the big screen in a big way with Spider-Man: No Way Home, franchise star Tom Holland’s third solo adventure as the titular superhero and the biggest film to date for Peter Parker’s corner of the Marvel Cinematic Universe.
Digital Trends: Scott, congratulations on the Oscar nomination for your work on Spider-Man: No Way Home. It really is amazing, spectacular, and astonishing. Your team worked on Spider-Man’s encounter with Doctor Octopus on the Alexander Hamilton Bridge. What was involved in bringing Alfred Molina’s character back almost 20 years after Spider-Man 2?
Your team worked on the scene with all the villains in Happy Hogan’s condo in Queens. What went into juggling all those elements? What went into creating Sandman? Sand is always tricky to manage, and there’s a lot of it in that character. Between the three facilities that worked on him, everybody had a slightly different version of Electro they had to do. There was the initial power corridor fight scene where he’s basically all electricity, and then Sony handled the end battle, when he’s flying around, fully charged up with electricity all over him. We worked on him in Happy’s condo, where he begins without a lot of power, but then acquires the reactor from the fabricator.
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