The costume designer for the new Peacock series explains why clothes really matter when it comes to murder.
Columbo“Right off the bat, you want them to have some sort of vibe, some sort of feel where you’re interested in who’s speaking,” says Field about the killers. Brody’s rich guyshowcased a particularly DGAF attitude that’s not shared by this casino boss, who projects a slick image in “Dead Man’s Hand.” Frost wants to prove he has what it takes to stand in his father’s shoes, leading to drastic measures. Ah, the classic case-of-the-week murder motive.
This location and Frost’s penchant for eye-catching blazers set a distinctly retro-meets-modern vibe that helps capture an old Vegas essence. Field sourced blazers from ASOS and John Varvatos, highlighting that “it’s all about how you style things” when mixing affordable and designer brands. This blend of “attainable and exclusive” is how Field “keeps the characters interesting.”as inspiration for Frost’s “pop of flair, in terms of the brooches” .
she says. Field used personal experience to inform the uniforms—including Charlie’s custom-built waitress attire—to capture the remnants of the past in this older establishment. “Growing up, I spent a lot of time in Vegas, and I’ve also been to Laughlin because my parents like to gamble,” Field says. “I remember the glitz, and with Episode 1, yes, there’s glitz, but it’s also a little dated.
A ’69 Plymouth Barracuda doubles as Charlie’s closet, and space is limited. A leather Saint Laurent jacket is almost a second skin and a callback to Falk’s “symphony of brown” comment. “We wanted to have a little bit of a Columbo-type feel thrown in there,” Field says about a beige blazer Charlie sports in the premiere episode. A knit cardigan from Banana Republic is Charlie’s “Lebowski sweater,” and she picks other pieces up on the road.
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