The inside story of how the superproducer stealthily scaled the top of the charts — under a cloud of accusations
in 2017, referring to the rape allegation, “this is his karma, and he earned it because he’s not a good person.” Kelly Clarkson was a particularly vocal supporter, testifying in a 2017 deposition in Kesha’s case that she found Gottwald to be “dismissive and belittling.” “I don’t know anyone who likes him,” she said, adding that an employee of her former record company, RCA, told her “almost every female at our label doesn’t like working with him.
In late June, Dr. Luke and Kesha settled his defamation case, releasing joint social media statements.Prescription only grew larger during the Kesha-Gottwald battles, becoming one of the industry’s most successful pop factories: It ranked seventh ons 2022 Year End Hot 100 Publishing Corporations list. Among the songs credited to its signees are hits for Dua Lipa, Lizzo, the Weeknd, Selena Gomez, Iggy Azalea, Troye Sivan, and dozens of others.
In his semi-exile years, Gottwald also began to refocus on hip-hop and R&B, where he seemed to face less scrutiny, the executive suggests. “Hip-hop was kind of a safe space for him,” the exec says, adding that short memories for even recent history among some Gen Z artists helped. In 2020,released “Tap In,” a Too Short-sampling song that was solely produced by Gottwald. It went to Number 20 on the pop charts, and Saweetie later claimed she had no idea who Dr.
Becky G filed a less-publicized lawsuit against Gottwald’s water brand CORE, in 2018, contending that Gottwald pushed her to constantly promote the brand, and that she was used more as “a walking, talking, singing billboard” than as an artist. “Luke made it clear both directly and implicitly that Ms. Gomez’s ability to have a music career would be tied to her continuing involvement in promoting CORE,” the complaint said.
“Either the first or the second thing we did was ‘Since U Been Gone,’” Gottwald told Rolling Stone in 2011. We were listening to the Hives and the Strokes, and Max was like, ‘Why can’t they just write a hit chorus?’ And that’s what we did.” That’s Gottwald’s guitar on “Since U Been Gone” — and the opening riff on “Party in the U.S.A.” is likely his, too.
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