HarrietMovie's costume designer, Paul Tazewell, sits down with ET to discuss the process of bringing Harriet Tubman to life.
"Someone might not really realize because there was so much focus on, 'Well, most of black America were slaves and then all of white America were the rich people," Tazewell explained."No. It's much more complicated than that and beautiful. With clothing, what has always been front and center is the use of clothing for self-confidence or self-esteem and showing this really strong sense of humanity. You see it all the way through the periods.
I think that the experience from production to production, whether it's a theater production or a film, one informs the other. I'm always learning from working on it and immersing myself in whatever the period is. But it's not as direct or obvious. As you said, it's a completely different period.
One of the things that was so beautiful in Cynthia is that there was a stunt double for her, and she would always put up a fight. She really always wanted to do her own stunts. So that informed everything. She wanted to feel what it really felt like or as close as possible. With, I've got a cast full of women in corsets that have elastic sides so that they can move and function the way that they need to for that choreography. For Cynthia, she wasn't about that.
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