How a high-rise martial arts visual feast came to life in ‘Shang-Chi'

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How a high-rise martial arts visual feast came to life in ‘Shang-Chi'
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Of the 1,761 visual effects shots in “Shang-Chi and the Legend of the Ten Rings,” one scene stands out as particularly challenging, a high-flying combat sequence set hundreds of feet in the air outside a skyscraper in the bright lights of Macau.

Of the 1,761 visual effects shots in “Shang-Chi and the Legend of the Ten Rings” from director Destin Daniel Cretton, one scene stands out as particularly challenging, a high-flying combat sequence set hundreds of feet in the air outside a skyscraper in the bright lights of Macau.

As Katy begins to fall, the camera tracks Shang-Chi in a complex “oner” where he fights off a number of assassins, spinning and leaping through a bamboo scaffolding system before catching her hand. To prep the scene, storyboards and previsualizations outlined the action, and stunt coordinator Brad Allan created a reel of fighting techniques and camera movements called a “stunt vis” to share ideas with Cretton in how the martial arts could all play out.

To start the sequence, Simu Liu hangs on to Awkwafina, who is tethered to a rope as she pretends to dangle in a perilous drop.Heading the daily details for the Macau scene was second unit vfx supervisor Joe Farrell, who worked with visual effects vendor Rodeo FX and its team supervised by Ara Khanikian.

Though Simu Liu performed many of his own stunts, to twist through the bamboo and save Katy, stunt double Jesse Turner stepped in to accomplish the feat. Visual effects then performed a face replacement as needed. When Shang-Chi suddenly gets struck in his chest while holding her hand, it forces him to let go and we see Katy start to plummet.

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