Out of all the recent Pinocchio movies, Guillermo del Toro and Mark Gustafson’s stop motion adaptation might be the one people have been waiting for.
from Robert Zeemckis. But that all changed when del Toro stopped by Netflix’s annual Tudum event to give everyone a closer look into the labor-intensive, mesmerizing, and magical process that brought hisscenes in the midst of production, del Toro opens up a bit about what all he wanted to bring to his take on the fairytale, and why he insisted that the bulk of its animation was done by hand.
While there’s also quite a bit of digital production involved in the film’s making, del Toro explained how the minute imperfections that come with hand-made stop motion art have a way of making stories like this feel more magical because they give you a sense of how the overall process works. “I really wanted this movie to land in a way that had the expressiveness and the material nature of a handmade piece of animation — an artisanal, beautiful exercise in carving, painting, sculpting,” del Toro explains. “But it had the sophistication of movement that research in rigs and puppetry-making have taken us.”
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