‘Good Luck to You, Leo Grande’ Review: Emma Thompson Gets In Touch With Her Sensual Side in a Gripping Two-Hander

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‘Good Luck to You, Leo Grande’ Review: Emma Thompson Gets In Touch With Her Sensual Side in a Gripping Two-Hander
日本 最新ニュース,日本 見出し
  • 📰 Variety
  • ⏱ Reading Time:
  • 68 sec. here
  • 3 min. at publisher
  • 📊 Quality Score:
  • News: 30%
  • Publisher: 63%

In the opening sequence of Sophie Hyde’s riveting “Good Luck to You, Leo Grande,” a suave young man (Daryl McCormack) steps out of an ice cream parlor, catches a mint candy in his mouth, and swings…

) steps out of an ice cream parlor, catches a mint candy in his mouth, and swings around a street pole like a hipster Gene Kelly. The Irishman is confidently cool — and not quite himself. He’s getting into character as Leo Grande, a charming sex worker who sells the Leo Grande Fantasy: a “service,” he calls it, where he gives paying customers exactly what they need, be it physical release, conversation or, for one client, dressing like a cat.

Hyde’s film is a psychological conversation piece titillated by the potential of sex. Over Nancy and Leo’s sessions together, they fall into a pattern: He struggles to set the mood, and she smashes it. But while Thompson’s character does most of the talking, in the moments she excuses herself to hide in the bathroom, Bryan Mason’s camera prefers to stay with him. Leo lets his smile go slack. He studies himself in the mirror. And then when his client reemerges, he snaps back into character.

Thompson’s neurotic is alternately sympathetic and aggravating. Her Nancy tips over into comedy — there’s a negligee gag that’s played for an easy laugh — and the score can get overly playful, as though it, too, is anxious to put the audience at ease. Yet, Nancy’s lust is never the joke. Thompson commits to revealing the full woman, quite literally.

McCormack is fantastic in a role so subtle it could appear flatlined and phony if people aren’t playing attention. He’s forced to keep his voice as steady as a horse tamer; the energy flows through his eyes. His Leo stares at Nancy, absorbs her, and through his rapt attention silently tries to convince her that to him, in this moment, she’s the only woman in the world. Steve Fanagan’s sound design casts a similar spell. Once Leo enters the hotel, the film never leaves.

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Variety /  🏆 108. in US

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