Giorgio Armani Spring 2025 Ready-to-Wear collection, runway looks, beauty, models, and reviews.
“What I love most about New York is its speed, its constant reinvention, and its ability to remain both itself and entirely different,” Giorgio Armani toldbefore his show tonight. He might as well have been describing himself. The 90 year-old showed 90 looks that gave us a dizzyingly broad overview of the many territories Armani has explored during his 49 years in business, yet which also felt fresh: this was more than some reverent retrospective.
The ostensible reason Armani was in New York for his first-ever mainline show outside of Milan— and his first show here since 2013’s One Night Only—was to herald the reopening of his store on Madison Avenue. At the pre-show schmooze the news was that this store has been taking north of $1 million a day in its first three days so far.
Mid-schmooze, it was the arrival of two steam trains projected onto the walls of the Park Avenue Armory that signaled this evening’s show was ready to go. A curtain dropped to reveal a huge showspace set with semi-circle banquette seating. We gradually settled into Armani’s fantasy waiting room to watch a show that unfolded a little like the Grand Central Station scene inThe first passenger to stride past wore a cropped trench and full pleated pants tucked into mid-calf boots.
More broadly, however, this show played out by passing through key phases of Armani’s design landscape. In womenswear these included the opening section of lushly luxurious, gamine travel wear whose garments were drawn from multiple global traditions and applied with an Armanian sheen. Woven checks and silk jacquards added visual texture. Later tunic-like textured shirts with strong shoulders or de-featured waistcoats were worn over long and layered organza skirts in more peachily gentle tones.
The womenswear was, for Armani, notably light on tailoring, which allowed for the menswear to offer compensation. Pre-show, he said: “Clothing should enhance the wearer’s personality and tailoring does that perfectly because it’s timeless. While it may seem tied to the past, I believe tailoring is the future.” Stand-out suits included one in striped silk garment-dyed in shades of sagey green whose pants came raffishly tucked into a slouchy boot.
Spring 2025 Ready-To-Wear Runway_Review Runway
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