“Ghosts of Harvard” isn't your typical summer read, but it's worth the hype
. But I also made sure to portray it not as an expert would teach it, but as a family would experience it. Cady, the main character, is still struggling to fully understand the symptoms her brother was experiencing. So I strove to portray an emotional, experiential authenticity rather than a case study.I think that’s why the story is relatable to readers who have gone through any kind of trauma or loss. Ultimately the medical or circumstantial specifics don’t really matter to a broken heart.
Potential has many faces. There’s the hopeful, bright potential: the potential for greatness, for success, for a happy ending. As Cady experiences, there is also the potential for tragedy, danger, perhaps a genetic predisposition to a latent mental illness like schizophrenia. I knew from the start I wanted the three ghosts to be different examples of potential denied or destroyed, like a kaleidoscope trained on the same subject, but refracted [in] different ways. Without spoiling too much, I felt compelled to explore the way war and racism have stolen and thwarted potential, and how even genius and the potential for advancement can be perverted.I think it’s extremely powerful that you included Bilhah in your story, even if her story is mostly fictionalized.
I was struck first by the irony. That at a time when Harvard was an epicenter of pre-Revolutionary thinking and progress, with learned men debating the not-yet-nation’s ideals of freedom and independence from “slavery to the Crown,” meaning taxation, they were blind to the injustice for the enslaved people serving them in that very house, and, of course, beyond. And that Bilhah was a mother added a particular pathos.
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