Ghostbusters: Afterlife heads back into the depressing nostalgia mines, toiling away to extract the last precious dollars from every callback and reference. TaraDBennett's review:
will end up gifting anything lasting to contemporary cinema, it will be as an unequivocal litmus test for what kind of moviegoer you are: One who appreciates a tsunami of callbacks from a much better film cobbled together into some semblance of something, or as someone who begs for an exit strategy from any nostalgia onslaught that completely takes over after the first act.Ghostbusters
The not-so-subtle connections are in overdrive from the get-go, including a score that steals so heavily from Elmer Bernstein’s brilliantwork, I don’t know how someone from his estate isn’t suing. But gratefully, the script then pivots to Egon’s grown daughter, Callie Spengler , a single mom who lives in the city with her tween daughter Phoebe and teen son Trevor .
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