REVIEW: 'Final Cut,' a remake of a modern Japanese cult-horror classic, is a zombie comedy that doubles as a great how-to in guerrilla D.I.Y. filmmaking.
a filmmaker. You’re making a zombie movie. The crew is … let’s be charitable and say “adequate.” The budget is somewhere in the high three-figure range at best. Your main actor is a pompous diva. Even worse, your lead actress isn’t giving you the amount of bone-chilling terror that you require. The climax involves her character killing the hungry corpse — also the man she loved — who’s now trying to eat her flesh. If she can’t sell the sense of sorrow and the scares, the last scene doesn’t work.
If you’re Remi , a French director who finds himself in this exact predicament, you do what any sane person might do and turn to an ancient curse. It seems that the building they are shooting in was once allegedly used by the Japanese military for experiments of a highly suspicious nature. Some sort of cult within the ranks named the Star of Blood Brotherhood sought to resurrect an army of the dead.
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