Film Review: ‘Zombieland: Double Tap’

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Film Review: ‘Zombieland: Double Tap’
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  • 📰 Variety
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The zombies have evolved in “Zombieland: Double Tap”; the comedy not so much. But that’s OK, because Ruben Fleischer’s 2009 breakout hit — which gobbled up $75.6 million in a genre fast approaching…

and Abigail Breslin) who got by on their to-each-her-own philosophy. Rather than getting attached, lest they be required to kill one another, the gang referred to one another by their home towns — Columbus, Tallahassee, Wichita and Little Rock, respectively — and wound up forming a kind of ersatz family. Comedy legend Bill Murray wasn’t so lucky, as return viewers will recall.

In the “Zombieland” universe itself, less has changed. The core four are still together, this virtual family growing more dysfunctional by the day. Meanwhile, a certain strain of lamebrains are getting smarter. Some are virtually impossible to kill. “T-800s,” Columbus calls them, after the all-but-unstoppable android in “The Terminator.

Turns out there’s a whole commune of like-minded peaceniks maintaining a state of post-apocalyptic bliss in a place called Babylon, where the final showdown between zombies and the brain-endangered goes down. But before that epic confrontation can happen, the gang — which fluctuates in number, but basically involves a rescue squad for gone-rogue Little Rock — must travel from the White House to what remains of Elvis Presley’s estate at Graceland.

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