To celebrate The Dark Side of the Moon turning 50 this year, we ranked every Pink Floyd album from worst to best.
is a good album overshadowed by its own placement in a catalog. There’s much to chew on throughout this record, even if it’s the weakest entry the band had in the 1970s . I’ll strongly argue the case of “Wot’s…Uh the Deal” being one of Gilmour and Waters’ best constructions together, highlighted by the former’s juxtaposing vocals that employ a whirlwind of angelic grit.
is the most explicit answer I can come up with. This is likely a favorite for many Pink Floyd die-hards, as it’s a unique, unparalleled foray into a world the band would soon depart from. Without David Gilmour on the axe, there’s a misshapen architecture within the band here. Barrett would explore his true vision in full force on his two 1970 albums—the former of which being one of the best experimental psych-rock debuts ever, and possibly better thanaltogether.
All of that becomes even more emphasized on side two. with Waters’ buoyant acoustic marvel “If” and Gilmour’s bluesy, riffing odyssey “Fat Old Sun.” You can catch a glimpse of a copy of—and the title track was even supposed to be featured in the film, but the band refused permission, which is a fun little tidbit for party trivia. Gilmour later called the album “a load of rubbish” and said the foursome were “scraping the barrel a bit” during recording.
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