‘Euphoria’ Director of Photography Marcell Rév unpacks the art influences that shaped the show’s buzzy aesthetic:
's Cassie Howard in a scene inspired by Mexican murals of the 20th century. Photo: Marcell Rév. Courtesy of the artist and HBO., the camera looms on a character named Cassie, sick on love and lots of alcohol, crying amongst hundreds of hanging roses. As the shot zooms out, we see that she’s in her room, staring into a vanity mirror.
Ahead of this weekend’s season two finale, Rév opened up about these and other art influences, as well as his relationship to contemporary photography, the importance of on-set improvisation, andAn image from season two ofIn a behind-the-scenes featurette on a recent episode, you mentioned that you look to a lot of contemporary photography for inspiration. You named Nan Goldin as a particular influence, which makes a lot of sense aesthetically and thematically.
To name a couple of influences on this second season—Joel Sternfeld is one of them; Greg Girard, maybe. For the first season I looked at a lot of Todd Hido photos, but we went a little more intimate with the second one, and I don’t think his photos are very relevant this time around. Photography has more of an influence on the visuality of movies than the other way around. When we’re talking about staged photography, you can have a back and forth. But just on a very aesthetic level, photographs—stills—are always a little ahead of filmmaking. It’s a more flexible medium.You called the industry a “giant factory.” What did you mean by that?
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