Joe is a regular freelance journalist and editor at Creative Bloq. He writes news, features and buying guides and keeps track of the best equipment and software for creatives, from video editing programs to monitors and accessories.
Aladdin remains one of Disney's most loved movies. It has adventure, romance, comedy and memorable characters. A lot of elements contributed to the success of this Disney Renaissance hit of 1992, but one artist has impressed fans by pointing out an element that could be overlooked:
This hierarchy avoids conflict between the three primary colours, amplifying the one that agrees with the light source in each scene. But it's not just about aesthetics. This approach also has a narrative benefit, guiding the viewer through the story by using contrast to lead the eye and through a deliberate control of colour in transition scenes, where changes in colour reflect a changing mood.
One scene in Aladdin left Holt confused since it has a different colour palette from the rest of the movieOf course, there are other colours in the film. These are usually peacemaker colours to help separate the more intense colours or"rogue colours" as seasoning, often influencing our interpretation of the tone of a scene. However, Holt does note three exceptions to his theory in which there's a considerable presence of green in the scene.
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