The designer’s first womenswear line will debut at the Paris menswear shows.
), it’s not the first time she has designed women’s clothes. Students of Bode’s short but wildly successful history will note that while at school – simultaneously studying fashion at Parsons School of Design and philosophy at Eugene Lang College – Emily and her roommate routinely designed their own clothes for the weekend ahead. “On Fridays, we would stay up late and make a skirt out of crushed velvet or something,” Emily remembers.
Other factors steered her early direction too: at Parsons, after one design assignment , a professor suggested she had a knack for menswear. And then there was the prevailing teaching on fashion at the time , which could emphasise design over material. Emily, however, was fascinated by fabrics and cloth, particularly by textiles that were less inventive than historically pragmatic – textiles that had beenby people, or many people.
All of which led to that day in 2016 when Emily made her very first fit sample for Bode, refashioning a favourite vintage quilt top into high-waisted trousers, thereby kicking off what has become her game-changing trademark: clothing that is ostensibly for men, though practically for any body at all.
Now, seven years later, she has at long last arrived with what her fans have been waiting for: dresses and skirts, silk tops and her version of lingerie. The Crane Estate, as Bode is calling this collection, includes everything from a form-fitting and floor-length gown sparkled with emerald green sequins to a berry-print chiffon day dress, loose and light, from a summer picnic in the past.
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