We spoke with elliegoulding about embracing her femininity after having a baby, working on never-before-heard tracks with Father John Misty and Calvin Harris, and why she feels her new LP is her best yet. ⬇️
No, and I think I will never know, and I think that’s just how I am. We’re always striving to figure out who we are and figure things out through writing and through music… So no, I don’t think I do. But I’m happy in that place. I’m happy being in a place of curiosity and exploration.
There’s certainly something about becoming a mom that does make you explore yourself as a woman, even sexuality and all those things. I do feel like before I had Arthur — this sounds really strange, but I didn’t feel necessarily womanly. I just felt like a human that was going on stage and performing and I didn’t necessarily feel feminine or masculine. And then when you have a kid, there was something that just gets injected into you that suddenly you’re just this kind of power.
It was kind of a case of, “We don’t need your opinion, stick to what you’re good at kind of thing.” And at the same time, “Why haven’t you spoken up about this?” It was just like, I can’t win. I was not prepared to be scrutinized in that way. And I think the thing that has always kept me going is that I never got lost in that. I continued to, from the very beginning, play live shows, and play festivals, the things that kept me grounded. I could just escape that stuff.
I remember writing with Father John Misty a few years ago and I was such a fan. Oh my god. Such a fan, but really had to play it cool. And he made it really uncomfortable because, to me, he’s just a star. He just is. And those stars just have something around them. It’s just like an aura, and he has that.
We actually did another song, which I loved, but he was like, “Ehh, I’m not really that into it,” in his Scottish accent. He says that my bit on it was fine but he wasn’t keen on the other person’s bit, which I thought was genius. I thought it was genius. I obviously can’t say who of course, but a legend. Like a legend.
I think when I wrote that song, I just needed to reclaim a power that maybe I’d lost at the beginning where I’d go into studios and it just didn’t feel safe. You go into sort of survival mode. That’s probably the deepest one on the album. Everything else is an escape and it’s designed to dance and to feel free and to feel like anything is possible.
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