Review: LoveandDeath isn’t a cruel show, but with its ironic needle-drops and fussy style, it sometimes plays like a joke.
Candytake their time, patiently and thoughtfully fleshing out the world that an axe will, in a couple years’ time, tear asunder., blessedly freed from the demands of Marvel and thus able to stretch her actorly muscles. She is, in the beginning of, a magnetic force, rendering Candy as a kind and collected woman slowly undone by restlessness. Candy embarks on an affair with, Betty’s shuffling, awkward husband.
After Betty’s death, though, the series loses its way. What had once been a finely tuned character study becomes wooden and formulaic. Kelley’s, and Olsen’s, picture of Candy stops developing—it even regresses. Manically singing in her car and staring blankly at her trial, Candy becomes almost a cartoon of domestic repression and potential malevolence.
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