Shirley stars Elisabeth Moss as Shirley Jackson, but it’s no biopic.
The novel, and seemingly the film as well, is set in the last year of Jackson’s life. An entirely fictional young couple, Rose and Fred Nemser , come to stay with Jackson and her husband, the English professor and literary critic Stanley Edgar Hyman , in their rambling old house in Vermont. Fred hopes that Stanley, a tenured professor at Bennington College whom he’s been hired to assist, will help boost his own scholarly career.
Moss’ Shirley is a showier performance, but the part is surprisingly underwritten. This Shirley is sarcastic, surly, and transparently manipulative, her fury over her husband’s affairs on a perpetual simmer that can boil over at any minute. Anger has always been Moss’ forte, and she is genuinely scary whenever Rose unwittingly incites Shirley’s free-floating ire.
Possibly the filmmakers mean this and some of the other interactions between Rose and Shirley—or maybe even the entire movie—to be fantasies. Young bears a strong resemblance to Moss, and also appears in dreamlike sequences as Paula, the missing Bennington student. Shirley, too, identifies with this “lost girl,” a figure she sees as the embodiment of countless lonely young college women who “cannot make the world see them.
. Those pieces, which are tremendously fun, supplied the couple with the majority of their income. Meanwhile, Jackson wrote disturbing fiction about some of the loneliest people ever committed to the page.
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