The Apple TV+ manga adaptation overcomes clichéd writing to serve a series unlike anything else on TV.
, the BBC Two and Netflix series that radically synthesized British and Japanese crime drama tropes to novel effect. Comparatively speaking, though,is much less successful. It’s simply not as well written — the narrative is riddled with clichés, the plot is hampered by a sagging middle third, character motivations shift on a dime — and the two leads aren’t terribly compelling. But there’s something undeniably intoxicating about the show’s enthusiastic transnationalism.
A wonderful scene late in the series, for example, involves a moment when Camille and Issei conjure a veil of privacy by quietly shifting into Japanese, concealing a life-changing conversation from their French companions.unspools with a nervous tension between Issei and Camille, who on paper could represent some passé conflict between “east” and “west.” But as the narrative unfolds, a sense of dislocation emerges within the two lead characters.
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