If you want to better understand the oblique social commentary of Garland’s gorgeous art-house sci-fi, well, it can’t hurt to watch Judge Dredd pulverize a whole load of craniums. Via WIREDUK
is a loud comic-book movie, which feels like a direct contrast to Garland’s delicate works, so it makes sense that the film rarely gets mentioned when fans discuss his most visionary projects. But, as I learned this week on my inaugural viewing ofThe plot is happily bare-bones: In a crumbling world, Dredd is a Judge—effectively a state-sanctioned vigilante. On a ride-along with a psychic mutant rookie Judge , he’s trapped in a massive residential tower block by a crew called the Ma Ma Clan.
: “Can you make violence into something which is purely aesthetic? Can it be so abstract that it becomes genuinely beautiful?” I say this with all sincerity: You can really tell this violence was created by someone who cared.the best version of itself—shines throughout. Domhall Gleeson, future star of, serves up a wonderfully bugged-out spin on the Tech Guy Reluctantly Employed by Bad People cliche.
Slo-Mo does what any good fake movie drug should do, which is make you wish you could try it in real life.should “count” as an official Garland-directed movie is tricky to answer. When thethat Garland had taken over mid-production, Garland and Travis shot back with a joint statement/attempt at peace: “From the outset we decided on an unorthodox collaboration to make the film. This situation has been misinterpreted.
We don’t know why Travis got nudged out—we don’t know what happened on the sets and in the editing rooms. Did Garland’s vision win out? Or was Garland just the guy who pushed the production to its endpoint? What we do know: This wasn’t just a paycheck for Garland; he grew up on the Judge Dredd character. Many of the movies he’s now known for are anticipated in its bloody frames. The way he builds whole surreal worlds around just a handful of characters—that was in.
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