'Are you saying that perhaps people don’t want to see a woman behave in a way that’s human?”
has been met with near-universal acclaim, the film itself has been subjected to a seemingly never-ending debate about its true intentions. Some seem to fear that the film is hiding something,, problematic at its core. Director Todd Field’s film touches on hot button issues like the #MeToo moment, power imbalances, youthful activism, and feminism to inform its structure—but didn’t wrap it all up in a tidy little bow for audiences.
“There is a lineage in the field of conducting of male composers behaving like Lydia Tár,” Rothkopf says. “This is a female character. What were your concerns in placing her in this continuity and creating her as a female character?” “Behind that question, are you saying that perhaps people don’t want to see a woman behave in a way that’s human?” she replies.
One could argue that casting the character as female only helps to highlight her toxic relationship to masculinity. Lydia meticulously patterns herself after her male heroes,to the manner in which she wields power. In one of the film’s most memorable scenes, she refers to herself as her daughter’s “father.
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