In honor of the release of the first episode of the new Candela Obscura campaign, we spoke to the creators of the original live-play D&D show Anjali Bhimani and Robbie Daymond to explore their experience. CandelaObscura 📸: Darrington Press
I think it speaks to how good Matt is at what he does, that we all get to contribute meaningfully, regardless of skill level—to the extent that people think what we’re doing is exhaustively planned., we wanted to build a system that was story-forward and had options for customization that fit the genre of occult detective and gothic-horror experiences. In every character sheet, you have both the class and the role, all your selectable capabilities.
Walking away from big incidents with lasting repercussions adds a huge point of character definition. But there are still ways to persevere, which makes vital room for hope.I think you touched on something really important Anjali—embracing the lesson of failure. For so long, games have been obsessed with winning. Tabletop game experiences are starting to reimagine failure as the opportunity for a pivotal moment. That makes the rest of the experience more memorable and provocative.
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