Renaissance represents another transformation, but some parts of Mrs. Carter will never change.
which is a relief. There’s a decent case to be made for the alignment of that kind of aspiration with some amount of racial uplift, but the widening inequality made more visible by the pandemic renders it an increasingly unconvincing substitute for, I don’t know, maybe a national program of reparations.
she mustered such rich resources to trace links between the personal, political, and historical that it’s now a bell she can’t unring. On,” she protests, “I didn’t want this power.” Believe that or not, some of the under-differentiated and distanced smoothness of this album seems like a gambit to sidestep expectations and resist the culture’s collective will to elevate her to secular sainthood.
. She can have her cake and also let them eat cake, as needed. These traps are really not of her own making; they’re syndromes that pervade today’s popular culture.
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