One of the final movies we'll get from Bruce Willis is a so-bad-it's-good Tubi Original called Corrective Measures. Our justbrizigs takes a look at the strange, sad oddity:
are not the result of a jaded, middle-aged star looking to make a quick buck at the expense of his craft and reputation, but the actor’s tragic diagnosis of aphasia: A degenerative brain disorder which can make comprehending and expressing written and spoken language increasingly difficult.
However, the recent reveal of Willis’ health came hand-in-hand with the unsurprising news that he would be retiring from acting. It was a gutting day to learn that one of the greatest stars of our generation has been suffering quietly for years. Still, while Willis has completed all the acting that he will ever do, the performer has a whoppingremaining direct-to-video films set to release before we bid farewell to his screen presence for good.
. The film is an action/fantasy/sci-fi hybrid about the rising tensions in a specialized prison for “supervillains.” In the world of, a widespread accident caused millions of people to develop a selection of varying superpowers. Thus, criminals with powers are segregated into a special prison called San Tiburon, where their powers can be contained. “Superpowers” can mean anything from controlling electricity to just looking like an orc or a werewolf. It’s fantastic, and I say that seriously.
But there is a lot to like about the film beyond the varying acting talent on display. There are the fakey gunshot blasts that look like they were grabbed from a stock effect site. There’s an uncanny meet-cute scene between a married prisoner and the prison nurse. There’re the devices prisoners wear that nullify their powers called “nullies.” There’s an intermittently broadcasted news channel called “Pulse Watch” that keeps the audience at home up to date on the goings-on at San Tiburon.
No matter how “so bad it’s good” some of these final, DTV Bruce Willis films can be , it is distressing to see Willis’ goodbyes manifest as a series of possibly exploitative trash, to consider that the final films with the legendary actor were a product of his condition being taken advantage of.
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