Breaking Down The Legacy Of Race In Traditional Music In America

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Breaking Down The Legacy Of Race In Traditional Music In America
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The traditional music community is having its own reckoning with racism — deciding what to do about songs still sung today that were performed at minstrel shows, or whose lyrics contain racist slurs and stereotypes.

Jake Blount, a 24-year-old banjoist and fiddler, is one of the people in the traditional music community working to educate others on the genre's Black roots.Michelle Lotker/Courtesy of the artist

"The banjo is descended from a number of different African instruments, but when it came to the United States, the first place it found a real home was [among] the slaves in the Chesapeake Bay region, who were my ancestors," he says. Traditional music is a broad term for songs that were passed down. The most popular ones like sea shanties and folk songs date back to the 19th century. And festivals have been a way to keep them alive.

Other songs contain racial slurs, or demeaning stereotypes. Some musicians have argued to revise these songs; others want to stop singing them altogether, and that has been an emerging debate over the last couple of years, especially at thethat happens at the beginning of each year. It's an event that started seven years ago as a space for younger fans of traditional music. 2020 was Blount's first year, and he was leading three workshops focused on music from the Black community.

The line she's referencing in the song is:"And now we're anchoured in the bay / With the Kanakas all around." The word falls into a grey area. Kanakas does mean"person" in Hawaiian, but white people have used it in the past to insult and demean Pacific Islanders. And so in this case it's best not to sing that line.

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