'Nearly nine years later, Renaissance takes us on the psychotropic dance floor trip that explodes into the bloodstream when “Blow” is crushed and snorted—inducing neither blackout nor hyper-anxiety but grimy, gaudy euphoria,' writes Shaan Sachdev.
.” It clears the dance floor for “queens” and “doms” and “pretty boys.” It glorifies feminine men and fellatio lovers. With the bedazzling, international force of Beyoncé’s million-dollar spotlight, “Heated” pays homage to Ballroom culture and reverses decades of pop culture machismo that peddled deep voices and firm wrists: “Fan me off, my wrist goes ‘click.’”
A queer pop album is one thing; a queer Beyoncé album is a bonanza. Chauvinism be damned—the truth is that when she directs her fabulously fastidious gaze upon a new sound, a new direction, the version we hear is going to sound better than any of her contemporaries.
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