In his third feature outing with ascendant genre filmmaker Ari Aster on Beau Is Afraid, Lars Knudsen produced the duo’s most ambitious, thought-provoking and outlandish work yet — a nightmare…
: No. The apartment, we built on a stage, and then the street, we locked down a street in downtown Montreal for a handful of days. And it’s rain or shine. We got so lucky because we’re completely weather-dependent, and if it had rained…It rained a little bit on one day. But those were the days we had to shoot it, and there’s weather continuity everyday, right? Because it’s outside. But that week, someone was looking over us because we were able to get it done.
DEADLINE: You also mentioned the incredible storybook-like sequence in the forest. You brought in the filmmakers behind the acclaimed stop-motion horror: Yeah, two filmmakers from Chile, Joaquín [Cociña] and Cristobal [León]. Ari loved their film, and in prep, we were still trying to figure out what it was going to look like. And him having just recently seen their film, he reached out to them and asked them.
But I think that what makes them so unique is that they’re just extraordinarily supportive. My way of producing is that I have to adapt to every filmmaker’s process in order for me to be able to do my job their way, and I think for them as a studio, because they’re selfless and there’s not a person behind the company in that same sense, they are able to remove the ego and the identities from that and just have the films carry it.
This movie, no matter how you put it, we’ll be forever grateful for them to get behind it because it’s not an “easy” movie to read and say, “Let’s go make this movie.” It was really trusting that Ari was going to make something really unique and spectacular, and for them to have been behind it all the way…I think that every movie that Ari makes, there’s always a nervousness about how audiences are going to respond to it. I think with, and especially on this one.
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