French-Irish conductor and violinist Fiona Monbet oversaw a chameleonic programme that incorporated blues, bossa nova and a ballet suite
’ saxophone concerto Tracks in the Orbit. In three movements entitled respectively Mill, Devotional and Whirlpool, Styles had fashioned a work indulging all of Ballamy’s laidback virtuosity, improvisatory instincts and his characteristic tone, velvet but edgy when needed. Yet the sense was sometimes of music – and perhaps Ballamy, too – needing to break the constraints and take off. At the very end came a sudden effusion of orchestra and soloist together, but short-lived and fizzling out.
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