Arthur Mamou-Mani: Can parametric architecture bring us closer to nature?

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Arthur Mamou-Mani: Can parametric architecture bring us closer to nature?
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London-based French architect Arthur Mamou-Mani uses digital design and fabrication techniques to create temples of spirituality

The building that put Arthur Mamou-Mani on the map lasted just more than a week, before going up in flames. This would have been the kiss of death for any other architect. But for Mamou-Mani, it was a career-making moment: the building in question, called Galaxia, was the temple for the 2018 Burning Man festival in the Black Rock Desert in Nevada; and its fiery demise was not only intentional, but part of a long-held tradition.

This was one of many pivotal connections enkindled by Galaxia. Another admirer of the temple was Mikolaj Sekutowicz, a partner at Therme Group, an Austria-based company that designs, builds and operates the world’s largest wellbeing resorts – offering thermal bathing, therapies and health and fitness activities, often in an architectural setting.

‘Separately, there are people who buy PLA objects thinking they’re biodegradable, so when they’re done with it, they just bury it in the garden, or throw it in the waste thinking that it will decompose. That’s also inaccurate. And it’s a shame that such a revolutionary material is so misunderstood.’ The joint venture will also allow Mamou-Mani to create Fab.Pub locations all over the world, where its 3D printers and recycling facilities can be accessed by the general public. It will ‘enable communities to 3D print their own projects locally, democratising the possibilities of the production process,’ explains Stelian Iacob, senior vice president and COO of Therme Group.

Iacob adds that the design brief for Speranƫă ‘focused on enabling a more personalised experience with the built environment, allowing people to create a relationship with the space rather than imposing it on them. The design creates opportunities for meditation and relaxation, as well as social interaction.’

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