In the new issue of AnOther Magazine, the Japanese architect talks about her favourite buildings by Kiyonori Kikutake, Le Corbusier and Mies van der Rohe
The buildings designed by Kazuyo Sejima over her 42-year career have helped to define our idea of 21st-century Japanese architecture. Or maybe architecture in general – SANAA, the practice she founded with Ryue Nishizawa in 1995, has devised diverse global spaces, including the New Museum in New York, the 2009 Serpentine Pavilion, an outpost of the Louvre museum in Lens, France, and a spectacular renovation of Paris’s La Samaritaine department store.
That can extend in different manners – she explored it through her 2010 directorship of the Venice Architecture Biennale with the wide theme of People Meet in Architecture, and it was also reflected this May, when as the newly appointed director of Tokyo’s Teien Art Museum, she partnered with Prada to stage a two-day Prada Mode event, where the museum and its surrounding park became an arena of architectural exploration. “I think museums can be imagined in a different way,” Sejima says.
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