This is the Mac we’ve all been waiting for.
. And, of course, you can always stick two graphics cards into one computer if your software supports it. The idea seems like a bit of a no-brainer: if you’re running a compute workload that’s very graphics-heavy, you can essentially split that workload between the two GPUs.
The other thing I want to emphasize is that this computer is shockingly quiet for the power it offers. Even when we were doing elaborate things in Adobe After Effects and Blender, stuff that would have had the fans on any Intel desktop I’ve ever used absolutely roaring, the Studio was inaudible. I’d put my ear to the case, and while I could literally feel the fans vibrating beneath me, they were still silent.
All that said, the professionals I work with love the Mac Studio. And throughout our entire review process, I did not see a single spinning wheel.My first stop was Becca Farsace, our video director who edited the entire video review of the Mac Studio and Studio Display on our Studio unit. I watched her work in Premiere and Media Encoder for hours, and even to my amateur eyes, it was clear that the Studio was flying. It was miles better than our two-year-old Mac Pro at basically everything.
Andrew felt that the Studio would be overkill for his podcasting workload, which is generally light enough for Intel MacBooks to handle, especially since, in his experience, podcasters sometimes need to edit on the go. But for music production in a studio setting, he thought it could make a huge difference. Namely, the Mac Studio can actually be used for professional music work, which his MacBook basically can’t do.
And that’s ultimately my biggest takeaway from this testing process. I’ve reviewed a whole bunch of computers in my career that are aimed at this exact market. I often get a workstation that seems like it can keep up with various creative workflows. I’ve never reviewed one that seemed like it could change the sorts of things creators can make. And that’s what I heard across the board.
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