Antonio Bolívar's blue eyes smiled with a wisdom barely known in the wider world, and fast vanishing
of Jaguar, lord of the forest, the embodiment of power, strength and violence, Antonio Bolívar would begin to growl deep in his throat. His head would move up and down, around, warily, as if he was on the prowl himself and hunting was his being.
His part in the film had been that of Old Karamakate, a shaman guiding a white explorer, Evan, in his search through the Amazon rainforest for the magic yakruna flower. As a young man he had guided another white explorer, 40 years earlier, on the same quest. Both journeys displayed how the forest was being defiled and colonised by outsiders: rubber-seekers who bled the trees and massacred the tribes, crazed religious sects. The later expedition also became a search for wisdom.
He passed on cures, too. The ancestors, who had no hospitals, would take water, pray over it and use it. Before there were vaccines, they would make red annatto dye from the achiote tree to paint protective stripes on their skin. He did not, like Karamakate, crush yakruna leaves into powder to give people psychedelic dreams. But if he found himself sitting by some unfamiliar plant he would instinctively pluck a leaf and squeeze it, maybe bite into it, to test what it could do.
Part of him accepted that most people hoped to progress and change. But a great truth was disappearing along with the old ways: that Nature was the interconnected life of all things, from soil to fish, from trees to humans, and that any harm done to the forest did violence to all beings. The rubber barons who had destroyed his family and much of the region in the early 20th century had been only the bloodiest in a string of invaders and exploiters going back, he reckoned, to Columbus’s time.
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