Analysis: Wes Anderson has heard that AI-generated parodies of his cinematic style are metastasizing online. His response during a call last week from New York is one of wry resignation.
The French-based filmmaker is famed for visual ideas that run through much of his work, including what he calls his “overt theatricality.” He often deploys bright tints reminiscent of such influential directors as ’60s-era Jean-Luc Godard, and he relishes imagery that evokes nostalgic longing. Those elements are certainly on display in “Asteroid City,” including the sky blues and lemon yellows and lime greens common to American-made cars at mid-century.
“Let’s type in ‘symmetrical,’ ‘bright pastels’ and ‘nostalgia,’ ’Star Wars’ and ‘Wes Anderson.’ Done. Then upload it,” says Wally Koval, mocking the high-speed simplicity of AI imitation.
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