In Paul Trillo’s short film “Thank You for Not Answering,” A.I.-generated video evokes loneliness and isolation. Watch here.
Paul Trillo generated images using an A.I. tool called Stable Diffusion, and fed them into another tool called Runway A.I. to establish the film’s aesthetic.To make the clips, Trillo first generated still images that suggested the scenes he had in mind using the A.I. tool Stable Diffusion, which was co-created by Runway’s team. Much like, another image generator, Trillo types in a text prompt that describes the content he wants in the image, as well as adjectives to nail down its aesthetic.
Trillo knit the many resultant clips, each of which required multiple permutations, together to create the final short film. Trillo demonstrated the process to me during a Zoom call; in seconds, it was possible to render, for example, a tracking shot of a woman crying alone in a softly lit restaurant. His prompt included a hash of S.E.O.-esque terms meant to goad the machine into creating a particularly cinematic aesthetic: “Moody lighting, iconic, visually stunning, immersive, impactful.
A.I. has become part of Trillo’s filmmaking palette; he also used it to generate the backgrounds of an animated commercial for GoFundMe. It drastically lowers the barrier to creating visual effects. Cristóbal Valenzuela, the C.E.O. and a co-founder of Runway, cast it as a radical shift. “The cost of creating content is going down to zero. Most of the content you will consume and watch and create will be generated,” he told me.
The phrase “A.I.-generated film” is something of a misnomer. In Trillo’s case, the director wrote a script, assembled a visual aesthetic, determined which scenes to create, selected from Runway’s results, and then edited the clips into a threaded, thematically coherent finished product. Generative tools supplied the media—voice, faces, scenery, and animation—but the human creative element is still present in every step of the process.
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